Silver Chair Adalah Seri ke-4 Setelah Dawn Treader. Ceritanya Masih g' Beda Jauh Dengan Cerita2 Sebelumnya. Masih Menceritakan Anak2 Yang Dapat Pergi KeDunia Narnia. Namun Kali Ini Yang Dapat Pergi Hanya Eustace Yang Notabene Udah Pergi Pada Saat Di Dawn Treader, Namun Ia Tidak Sendiri, Disini Ia Pergi Dengan Teman Atau Mungkin Bisa Dibilang Pacar Yang Bernama Jill, Mereka Berdua Datang KeNarnia Karna Disuruh Oleh Aslan Untuk Mencari Pangeran Rilian (anak dari raja caspian), Yang Hilang Karna Diculik Oleh Penyihir Berbentuk Ular Cobra. Dan Mereka Berdua Ditemani Oleh Seorang Manusia Setengah Kodok Atau Kalau DiNarnia Disebut Marsh Wiggle Yang Bernama Puddleglum.
Awal Cerita Ini Dimulai Ketika Jill Menangis DiBelakang Sekolahnya Karna Dikerjai Oleh Teman-Teman Cowoknya, Beberapa Saat Kemudian Eustacepun datang Untuk Menghibur Jill, Dan Eustacepun Menceritakan Tentang narnia Kepada Jill. Namun Beberapa Saat Kemudian Teman-Teman Mereka Yang Suka Mengganggu Mereka Datang Lagi Dan Mengejar Merka. Eustace Dan Jill Lari Hingga Mereka Menemukan Sebuah Pintu. Namun Ketika Pintu Dibuka, Mereka Bukan mendapati Diri Mereka DiDalam Sebuah Ruangan. Namun Merka TIba Di Negeri Aslan Atau Negeri Timur.
Petualangan Mereka Dimulai Dengan Petunjuk Yang Diberikan Oleh Aslan, Namun Karna Kecerobohan Jill Merekapun Harus Menempuh Berbagai Macam Bahaya Untuk Mencari Arti Dari Petunujuk Aslan. Petunjuk Pertama Menyebutkan Bahwa Mereka Harus Menemukan Seseornag Yang Dikenal Eustace Yaitu Caspian Sendiri Tentunya, Namun Karna Keterlambatan Mereka, Caspianpun Pergi Ke Negeri Timur Sebelum Sempat Berbicara Dengan Eustace.
Petunjuk Kedua Adalah Mereka Harus Mencari Reruntuhan Harfang Yang Juga Merupakan Tempat Tinggal Para Raksasa. Disini Mereka Hampir Menjadi Santapan Malam Para Raksasa. Dan Untuk Keluar Dari Istana Raksasa Mereka Harus Berpura-Pura Baik Kepada Mereka. Namun Usaha Mereka Gagal, Tapi Akhirnya Mereka Berhasil Melarikan Diri Ke Reruntuhan Harfang Dan Disambut Oleh Ratusan Earthman Yang Telah Disihir Oleh Ular. Para Earthmanpu Mengantarkan Mereka Ke Istana Tempat Rilian Yang Telah Disihir Berada. Dan Disinilah Mereka Menemukan Sang Pangeran, Namun Pangeran Masih Terkena Sihir.
Merekapun Harus Mencari Cara Agar Rilian terbebas Dari Sihir. Setelah Mereka Selidiki Mereka Akhirnya Menemukan Penyebabnya. Yaitu Sebuah Kursi Perak. Setelah Menghancurkan Kursi Itu Rilianpu terbebas Dari Kutukan. Namun Mereka Harus Menghadapi Penyihir Ular Yang Datang Tiba-Tiba.Berkat Keberanian Puddleglum, Sihir Dari Penyihir Yang Hampir Menyihir Merekapun Hilang.Dan Akhirnya Penyihirpun Mati Dibunuh Oleh Pangeran Rilian.
Setelah Itu Merekapun Mencari Jalan Keluar Dari Istana Bawah Tanah Tersebut, Dan Akgirnya Merekapun Berhasil Setelah Mereka Menemukan Lubang Yang Digali Oleh Para Dwarf.Setelah Pulang Kembali Ke Cair Paravel, Merekapun Menemui Caspian Yang Sedang Sekarat. Dan Caspianpun Memberikan Kekuasaannya Sebelum Akhirnya Caspian Mati.
Setelah Misi Selesai Merekapun Dipulangkan Lagi Oleh Aslan Kedunia Mereka. Dan Aslanpun Membantu Mereka Untuk Menghadapi Musuh-Musuh Mereka DiDUnia Nyata. (HAPPY ENDING)
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The Chronicles Of Narnia : The Silver Chair
The Chronicles Of Narnia : The Voyage Of The Dawn Treader
Apalagi Ketika Merka Harus Berpisah Dengan Repicheep Si Tikus Yang Pemberani. Karna Ia Sendirilah Yang Harus Dan Boleh Pergi Ke Negeri Aslan. Hal Sedih Di Buku Ini Lainnya Adalah Ketika Aslan Mengatakan Bahwa Lucy Dan Edmund Tidak Bisa Pergi Lagi Ke Narnia. Namun Mereka Tidak Kecewa, Karna Mereka Telah Mendapatakan Penglaman Yang Berharga.
Buku Ini Menurut Gw Keren, Karna Kita Bisa Merasakan Langsung Kejadian Yang Ada DiDalam Buku, Seperti Ketika Eustace Menjafdi Naga Di Dragon Island, Atau Ketika Mereka Menemukan Danau Yang Apabila Airnya Mengenai Badan Kita, Dapat Membuat Kita Menjadi Emas. Atau Juga Ketika Mereka Pergi Ke Dark Island Yang Sepertinya Tidak Akan Ada Lagi Cahaya Terang, Namun Untung Saja Mereka Ditolong Oleh Aslan.
Di Buku Inipun Diceritakan Juga Tentang Caspian Yang Mendapatkan Jodohnya DI Star Island, Yaitu Anak Dari Seorang Bintang Narnia Yang Telah Pensiun. Dan Disinilah Bagian Yang Paling Ceria Menurut Gw, Karna Disini Disediakan Makanan Yang Banyak Banget Dan Mewah, Makanan Ini Dibawa Oleh Burung-Burung Dari Negeri Aslan PAda Waktu Pagi Hari, Dan Akan Membawanya Kembali Pada Senja Hari.
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The Script Is A Sounds From Irlandia
It is the heart-rending epic journey of three young Dublin boys from the wrong side of the tracks who risk everything for a dream.
The Script is an Irish trio whose music boasts a whole new brand of Celtic Soul, blending hip-hop lyrical flow with pop melodiousness, state-of-the-art R&B production with anthemic rock dynamics, classic song construction with gritty contemporary narratives. Think U2 versus Timbaland, Van Morrison remixed by Teddy Riley.
Danny O'Donaghue and Mark Sheehan met in their early teens, gravitating to each other through a shared obsession with music, and in particular a love of American black music. Striking up a songwriting and production partnership, Danny and Mark's exceptional talent was recognised early, and they found themselves invited to the US to collaborate with some of their production heroes, including such legends of modern R'n'B as Dallas Austin, Teddy Riley, The Neptunes and Rodney Jerkins.
Danny and Mark started as a backroom team, making demos for other artists, but when they met fellow Dublin drummer Glen Power, the dynamic shifted. Although they had never actually heard him play, such was the connection they made that Mark invited Glen on a working holiday to LA. Something of a prodigy on the Dublin scene, Glen had been playing sessions from fifteen years old, using the money to work on a solo project in his home studio. But that went on hold when his collaboration with Mark and Danny produced three songs in one week.
The trio's debut single, “We Cry,” is a soulful anthem of everyday struggle that manages to be simultaneously bleak and uplifting. Their debut album, tentatively titled Rusty Halo, will follow, the title encapsulating not only classic Irish catholic guilt but the struggle to remain moral in a tough world where the odds always seem stacked against the good guys. And it, too, promises to be something really special.
This is The Script. But the ending is not yet written.
The Script Was Release New Album With Their Single We Cry You Can Download It. Click Here
Jason Mraz Waiting for His Rocket to Come
For Jason Mraz, his life-altering journey began with a single word: ‘No.’ No touring, no recording, no work for a year: “I want to go to the grocery store again. I want to do my own laundry. I want to tend to a garden. I want to raise a cat,” said ‘Mr. A-Z.’
Mraz came to the decision after a remarkable four years where he had seen his major label debut, Waiting for My Rocket to Come explode off the success of hits like “Remedy (I Won’t Worry),” “You & I Both” and “Curbside Prophet.” Shortly thereafter, he returned with his Grammy-nominated, critically acclaimed Mr. A-Z, which continued his chart success with “Wordplay.” Throughout, his reputation as a tremendous live act soared.
But when he took a well-earned break, something unexpected happened: he rediscovered himself. “I suddenly woke up and real songs started coming out of me,” Mraz recalls. “Songs that I didn’t plan on writing. But that just became a reflection of how I feel and the mood that I was in and these awakenings that I was having,” he says.
The result is We Sing. We Dance. We Steal Things., his most self-assured effort to date. In true Mraz style, the 12 tunes are wrapped in clever, observant lyrics and strong, engaging pop melodies, but this time they are inspired “by these moments of self realization, self empowerment and self improvement.”
Highlights include first single, “I’m Yours,” a warm breeze of a song about finally giving into love and life’s possibilities, set to lilting island tempo. Another highlight is “Lucky,” a simple, endearing duet with new platinum singer-songwriter Colbie Caillat.
The album takes its title from a piece of art by Glasgow-based doodle artist David Shrigley that Mraz saw in Scotland while traveling. “What I love about mankind is that yes, we sing and we celebrate and we dance when we’re foolish and we steal things,” says Mraz, who asked Shrigley to design the album art. “It’s hard to have a new idea in music, in fashion, the land we walk on. It’s all recycled. I think to say we stole it is a lot more fun.”
Lessons now learned from sages and prophets in all forms, Mraz is confident he won’t lose his way again.
If You Want To Hear His Cool Song "I'm Yours" just Click Here
Duffy The Younger The Best
Duffy was born and spent her childhood years in the north Wales coastal community of Nefyn, a place too remote to be driven by style wars or opposing music factions (the nearest record counter was a bus ride away and only stocked the Top 40). The upbringing she describes is one in which everyone had to rub along together, making do and mending, accepting each other and their tastes without prejudice. Having no CD collection of her own, her first real musical memory is of walking into the kitchen unannounced to find her mother and stepfather dancing to Rod Stewart. The first steps she took towards defining her own personal identity came when she borrowed one of her dad's VHS tapes of the '60s TV show 'Ready, Steady, Go!'. "It had The Beatles, the Stones, the Walker Brothers, Sandie Shaw and Millie singing 'My Boy Lollipop.' So sexy and exciting! I played it again and again until finally it disintegrated." Says former Suede guitarist and record producer Bernard Butler of this artlessness, "Duffy managed to grow up without any concept of what was cool or current, what she should or shouldn't like, how to behave or even how to sing. For her, coming to London at all was the stuff of fairytales." "And to come here to write songs with some random bloke who'd been recommended to her, me? It meant taking two buses and then two trains and took all day. Then she'd do the same in reverse to get home, playing the music she'd just made to old ladies she encountered on the journey. It's hard for cynical music industry types to get their heads around just how far removed she was from our world, geographically and in every other way. But what you've got as a result is someone who acts and sings completely and unselfconsciously from the heart. That's a rare and magical thing." Butler was introduced to Duffy by Rough Trade's Jeannette Lee who, in August 2004 and after hearing demos recorded in this or that mate's home, became the singer's mentor and manager. For Duffy, to have not just a friend but also point of both safety and reference in the strange new world she found herself in was crucial to her own musical development and sense of self. "People keep saying to me, 'You've made a great record' but I can't take that in because I didn't do it on my own. Jeannette and I made Rockferry together and she's been with me every step of the way, broadening my horizons, introducing me to people I can trust." Butler was just one of them: having written the glorious, chorus-free, utterly hypnotic Rockferry together at the beginning of the project, they then worked on a further three of the ten tracks on what is already being talked about as 2008's most important debut release. Jimmy Hogarth & Steve Booker are the other collaborators on this classic-in-waiting.
If You Want To Hear Her Song Click Here
Panic At The Disco are wrecking chaos again! This time, with their latest album Pretty. Odd.
Hyperventilating, screaming and moshing – once these three elements are happening simultaneously, it is needless to say that Panic At The Disco is in the building. Gone are its days of the exclamation mark and weird lyrics (previously called Panic! At The Disco). Now the boys are back punctuation-free and on a much happier note, with their latest album Pretty. Odd.
This Las Vegas, Nevada quartet went from imitating Blink's Tom Delonge and Travis Barker to writing their original material and eventually gigging on the local scene, earning a following for their seamlessly blended mixture of pop punk, rock and disco.
However, writing the songs on their album Pretty. Odd. was no easy task for the band. Bassist Jon Walker said in an interview with MTV.com, "Because we were writing the album in a kind of story theme, and it was constraining us from doing anything. The first song we wrote after that was 'Nine in the Afternoon,' and instantly we were like, 'All right, we were having more fun doing this."
From that point, Panic At The Disco buckled down and by the end of the year, they were well on their way to wrapping production on Pretty. Odd., flying to London's famed Abbey Road Studios to add flourishes of horns and strings, which were incredibly fitting.
Striving for perfection in differentiation, drummer Ryan Ross chimed in. "We still try to write the smartest lyrics and the best melodies possible, just in a different way. And I hope people can hear that."
What does the title of the song "Nine In The Afternoon" mean to you? Share your thoughts here!
